Vertigo—Closer Looks

Closer Looks poster for Vertigo

Thursday, April 13 at 6pm
$15 | CCA Cinema

Paul Barnes presents the fourth installment in the Closer Looks series: Alfred Hitchcock’s classic film Vertigo (1958).

Considered by many to be director Alfred Hitchcock’s greatest achievement, it was also his own personal favorite. James Stewart is brilliant as Scottie Ferguson, an acrophobic detective hired to shadow a friend’s oddly behaving wife, Madelaine. Scotty falls deeply in love with her, played by the stunning and mysterious Kim Novak. During his investigation/courtship, Madelaine accidentally dies; Scotty has a nervous breakdown; and while recovering, he happens upon a woman he swears is Madelaine and—you’ll have to come see the film to find out what happens. Made in spectacular widescreen color, VERTIGO is gorgeous to look at, highly entertaining and with one of the greatest music scores by Bernard Herrmann that raises the emotional temperature of the film to fever pitch. Made in classic 1950’s Hollywood style, Hitchcock creates a hallucinatory puzzle of a thriller intertwined with the personal perverse poetry of obsessive love.

Paul Barnes

Paul Barnes is a documentary Producer and Editor who has had a career that spans 43 years. He is best known for working with Ken Burns for 34 of those years on such documentary series as The Civil War, The National Parks, and The Roosevelts. In 2004, Barnes won an Emmy for producing Unforgivable Blackness: The Rise and Fall of Jack Johnson. He also edited the groundbreaking documentary The Thin Blue Line for director Errol Morris and the award-winning classic about gospel music, Say Amen, Somebody. Barnes is a lifelong fan of all kinds of films and is fascinated with the history of cinema.

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The Board of Directors for the Center for Contemporary Arts of Santa Fe (CCA) has voted to close the organization after serving the Santa Fe and northern New Mexico community on its forty-fourth year of operation. The decision was reached after careful consideration of options presented during its current strategic planning initiative.

“Closing a cherished, community organization like CCA is one of the most difficult decisions a board can make,” said David Muck, CCA Board Chair. “However, we simply couldn’t secure the level of individual donations required to achieve the high quality of programming and exhibitions envisioned by CCA’s professional staff and board of directors,” he continued.

Many nonprofits in the U.S. were hit hard by Covid and CCA is a good example. The CCA Cinema closed during Covid, and attendance was slow to resume, reflecting national downward trends in moviegoing post-Covid as reported in multiple news outlets, such as IndieWire and others. In 2023, the organization forecast the cinema to perform at only 50% of pre-Covid levels, resulting in monthly losses. Though grants and individual donations to the organization were up significantly in 2022 and 2023, they simply weren’t enough to make up the difference in the annual budget and cover both current and planned exhibitions and operations.

“This tough decision did not come lightly,” said Danyelle Means, CCA Executive Director and Head Curator. “For a nonprofit institution that operates independently of state support, the annual donations needed to sustainably continue operating was not enough, especially in the wake of challenges from pandemic closures and reduced attendance,” Means continued.

CCA did have its share of recent successes: CCA Executive Director Danyelle Means had secured a three-year grant of $100,000 per year from the Ford Foundation, with an option to renew for another three-year period. The organization was also the recipient of a $50,000 inaugural grant from Ruth Arts Foundation, as well as other granting organizations. Self-Determined, a 2022 CCA exhibition, was listed as one of the world’s Top 50 Exhibitions of 2022 by Hyperallergic magazine and CCA’s new monthly Closer Looks cinema series was a hit with film enthusiasts.

The CCA board of directors considered closing the organization in December of 2021, but voted to remain open in 2022 in hopes of a recovery post-Covid. However, despite the hard work of CCA staff and the accomplishments like the ones mentioned above, the shuttered period during which the cinema was closed proved too challenging to overcome. CCA Cinema’s final day of public operations is Thursday, April 6, and all upcoming CCA gallery exhibitions and public programs are cancelled.