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Closer Looks: Night Moves

May 6 @ 6:00 pm

Presented as part of CCA’s monthly series on arthouse classics and underseen cinema, Closer Looks. This month’s selection was made by CCA Board Member, David Meyer, who will offer a presentation before the screening.

ONE NIGHT ONLY!

Arthur Penn’s haunting neonoir reimagines the hard-boiled detective film for the disillusioned, paranoid 1970s. In one of his greatest performances, Gene Hackman oozes world-weary cynicism as a private investigator whose search for an actress’s missing daughter (Melanie Griffith) leads him from the Hollywood Hills to the Florida Keys, where he is pulled into a sordid family drama and a sinister conspiracy he can hardly grasp. Bolstered by Alan Sharp’s genre-scrambling script and Dede Allen’s elliptical editing, the daringly labyrinthine Night Moves is a defining work of post-Watergate cinema—a silent scream of existential dread and moral decay whose legend has only grown with time.

Film Run Time: 99 minutes

Motion Picture Rating (MPA): Rated R for some language and nudity.

CCA Tribute to Gene HackmanBy David Meyer

Gene Hackman is more subtle, emotional, and vulnerable then you’ve ever seen him as the violent, deeply insecure private eye Harry Moseby. Arthur Penn, who directed Bonnie & Clyde; Little Big Man; and The Missouri Breaks, builds the almost unbearable tension and suspense in this bright, sunlit California Film Noir. No one, sometimes not even Moseby, is who they seem or who they claim to be. Moseby must pull apart a tangled threads of lies to solve the case, stay alive, seduce the femme fatale — or be seduced by her — and save his marriage to his faithless, but loving wife.

The stellar cast includes the astonishing Jennifer Warren — who became a director and an Academy
Award-winning producer; Harris Yulin and his world-weary charm; Susan Clark; and, making their screen
debuts, Melanie Griffith and James Wood. Hackman, completely at home in this complex, self-
contradictory character, commands the screen. Hackman draws you into Moseby’s obsessions; you feel all his pain and disquiet.

Screenwriter Alan Sharp also wrote Peter Fonda’s psychedelic Western The Hired Hand and The Last
Run, a Noir road movie starring George C. Scott. He perfectly structures this maze of clues, true and
false, and provides the wittiest, most articulate dialogue of all modern Noirs. Three-time Oscar nominee
in Editing Dede Allen, who cut all of Penn’s films, creates a metronomic rhythm that drives the suspense
and propels Moseby on his quest.

Don’t miss this classic American modern Film Noir, which few saw then it came out and fewer still have
seen on the big screen since 1975. This is a rare opportunity to revel in Hackman’s genius. His
performance — and Moseby’s mystery — will stay with you long after the closing credits.

 CCA’s Closer Look Series Sponsored by Hutton Broadcasting

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