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Model

October 27 @ 1:00 pm

Join us for the CCA’s year-long Frederick Wiseman Retrospective, where we will showcase twelve of Wiseman’s rarely seen masterworks. Enjoy a Sunday matinee each month from October 2024 through September 2025. Each unique film will be screened just once on our massive Cinema Theater screen.

Each film in CCA’s Frederick Wiseman Retrospective has recently been meticulously restored using original 16mm film negatives and sound elements, and has previously never been available in digital format. This monumental five-year long restoration project, overseen and approved by Wiseman himself, is a collaboration between Zipporah Films, the Library of Congress, DuArt Labs and Goldcrest Post Production.

Exclusive CCA x WISEMAN Loyalty Offer: Earn a $100 CCA Gift Card by attending every screening in the retrospective with our special punch card!

Merchandise Alert: Grab your Limited Edition Wiseman Retrospective t-shirts in the cinema lobby, available while supplies last!

“Wiseman’s MODEL (1980) focuses on the doings and dealings of the New York modeling agency Zoli, which serves clients ranging from Chanel to Bloomingdales. Frederick Wiseman captures the hectic office atmosphere, intakes with potential models, opinions on looks and portfolios, and screen tests and photo shoots, both in studios and on location. Models act while photographers direct them: “A little less innocent, a little sexier, more provocative,” or “Fun, fun, fun!” In , it quickly becomes clear how much the art of seduction relies on casting, outfits, makeup, and staging. Wiseman shows us media figures who do the polar opposite of what he does as a representative of Direct Cinema: they intervene, set the stage, and run the show. In this sense, the film is about “the gap between reality and illusion,” as a male model puts it while talking with Andy Warhol. Wiseman dissects the artificiality of the beauty ideal by paying a lot of attention to makeup. He intersperses footage of photo shoots with shots of trucks, couriers, and hobos. The most unusual scenes are the ones in which reality and illusion intersect, such as when a director tells a young actress that her angry reaction to the media has to feel natural — or when a group of demonstrating feminists turn out to be models.” -IDFA

Total runtime: 129 mins

“In MODEL, he shows us the business side of an agency, photography sessions, models talking, playing, and wasting time. He highlights the mad perfectionism of TV-commercial- makers —rehearsals, retakes, huge crews, anxieties, tantrums, and exhaustion, all for a few seconds of film selling hosiery.” -David Denby, New York Magazine

A “microcosm of American life we have all more or less slavishly copied” -The Guardian

$15
1050 Old Pecos Trail
Santa Fe, NM 87505 United States
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(505) 982-1338
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